JazzMF

Jazz research on the Internet: a continuing saga

My Citations

Bauer, William R. Open The Door: The Life And Music Of Betty Carter. University of Michigan Press, 2002.
Berrett, Joshua, and Louis G. Bourgois. The Musical World of J.J. Johnson. Lanham, MD: Scarecrow Press, 2002.
Bley, Paul, and David Lee. Stopping Time: Paul Bley and the Transformation of Jazz. Montreal, Canada: Vehicule Press, 1999.
Cosson, Guy. Rahsaan Roland Kirk. Paris, France: Editions du Layeur, 2006.
DeVito, Chris, Yasuhiro Fujioka, Lewis Porter, Wolf Schmaler, and David Wild. The John Coltrane Reference. New York, NY: Routledge, 2008. http://www.loc.gov.libproxy.lib.unc.edu/catdir/toc/ ecip0715/2007015178.html.
Epperson, Bruce D. More Important than the Music: A History of Jazz Discography. Chicago ; London: University of Chicago Press, 2013.
Gennari, John. Blowin’ Hot and Cool: Jazz and Its Critics. Chicago, IL: University of Chicago Press, 2006. http://www.loc.gov.libproxy.lib.unc.edu/catdir/toc/ ecip062/2005030539.html.
Goldsher, Alan. Hard Bop Academy: The Sidemen of Art Blakey and the Jazz Messengers. Milwaukee, WI: Hal Leonard, 2002.
Gourse, Leslie. Art Blakey: Jazz Messenger. New York: Schirmer Books, 2002.
Isoardi, Steve. The Dark Tree: Jazz And The Community Arts In Los Angeles (George Gund Foundation Book In African American Studies). Berkeley, CA: University of California Press, 2006.
Jack, Gordon. Fifties Jazz Talk: An Oral Retrospective. Vol. 47. Lanham, MD: Scarecrow Press, 2004.
Jackson, Maurice, and Blair A. Ruble, eds. DC Jazz: Stories of Jazz Music in Washington, DC. Washington, DC: Georgetown University Press, 2018.
Kahn, Ashley. A Love Supreme: The Story of John Coltrane’s Signature Album. New York: Viking, 2002.
Kernfeld, Barry. The New Grove Dictionary of Jazz. New York: Macmillan, 1988.
Kruth, John. Bright Moments: The Life And Legacy Of Rahsaan Roland Kirk. Welcome Rain Publishers, 1999.
Lateef, Yusef, and Herb Boyd. The Gentle Giant: The Autobiography of Yusef Lateef. Irvington, NJ: Morton Books, 2006.
Lewis, George E. A Power Stronger than Itself: The AACM and American Experimental Music. Chicago: University of Chicago Press, 2008.
Mathieson, Kenny. Cookin’: Hard Bop and Soul Jazz, 1954-65. Edinburgh, Scotland: Canongate, 2002.
McMillan, Jeff. Delightfulee: The Life And Music Of Lee Morgan. University of Michigan Press, 2008.
Mercer, Michelle. Footprints: The Life And Work Of Wayne Shorter. Tarcher, 2004.
Neely, Tim. Goldmine Jazz Album Price Guide. Krause Publications, 2000.
Perchard, Tom. Lee Morgan: His Life, Music And Culture. Popular Music History. Oakville, CT: Equinox Publishing, 2006.
Priestley, Brian. Chasin’ The Bird: The Life And Legacy Of Charlie Parker. New York: Oxford University Press, 2006.
Ramsey, Doug. Take Five. Parkside Publications, 2005.
Szwed, John F. Jazz 101: A Complete Guide To Learning And Loving Jazz. Hyperion Books, 2000.
Alger, Dean. The Original Guitar Hero and the Power of Music: The Legendary Lonnie Johnson, Music, and Civil Rights. North Texas Lives of Musicians Series, number 8. Denton, Texas: University of North Texas Press, 2014.
Bang, Derrick. Vince Guaraldi at the Piano. Jefferson, N.C: McFarland & Co, 2012.
Campbell, Gregory Alan. “‘A Beautiful, Shining Sound Object’: Contextualizing Multi -Instrumentalism in the Association for the Advancement of Creative Musicians.” D.M.A., University of Washington, 2006. http://search.proquest.com/pqdtglobal/docview/304969753/abstract/B4EA968A2F0A4157PQ/15.
Campbell, Robert L. The Earthly Recordings of Sun Ra. Redwood, New York: Cadence Jazz Books ; Distributed by North Country Distributors, 1994.
Carner, Gary. Pepper Adams’ Joy Road: An Annotated Discography. Studies in Jazz, No. 69. Lanham, Md: Scarecrow Press, 2012.
Combs, Paul. Dameronia: The Life and Music of Tadd Dameron. Jazz Perspectives. Ann Arbor: University of Michigan Press, 2012. https://archive.org/details/dameronialifemus0000comb.
Cooke, Mervyn, and David Horn. The Cambridge Companion to Jazz. Cambridge Companions to Music. New York: Cambridge University Press, 2002.
Cordoba, Derick. “Liturgical Jazz: The Lineage of the Subgenre in the Music of Edgar E. Summerlin.” A.Mus.D., University of Illinois at Urbana-Champaign, 2017. http://search.proquest.com/pqdtglobal/docview/2033954238/abstract/B4EA968A2F0A4157PQ/5.
Cugny, Laurent. Analyser Le Jazz. Contrepoints. Paris: Outre mesure, 2009.
DeVito, Chris, ed. Coltrane on Coltrane: The John Coltrane Interviews. Chicago: Chicago Review Press, 2010.
Ekins, Richard. “The Rediscovery and Resurrection of Bunk Johnson - a Grounded Theory Approach: A Case Study in Jazz Historiography.” Grounded Theory Review 10, no. 3 (December 2011). http://groundedtheoryreview.com/2011/12/20/the-rediscovery-and-resurrection-of-bunk-johnson-a-grounded-theory-approach-a-case-study-in-jazz-historiography-2/.
Emerzian, Jimmy Jared. “Saxophonist Mark Turner’s Stylistic Assimilation of Warne Marsh and the Tristano School.” M.M., California State University, Long Beach, 2008. http://search.proquest.com/pqdtglobal/docview/304828234/abstract/B4EA968A2F0A4157PQ/4.
Gabbard, Krin. Hotter than That : The Trumpet, Jazz, and American Culture. 1st ed. New York: Faber and Faber, 2008. https://archive.org/details/hotterthanthattr00gabb.
Gaines, Adam W. “Work of Art: The Life and Music of Art Farmer.” D.A., Ball State University, 2005. http://search.proquest.com/pqdtglobal/docview/305026812/8DDD3F00589D4E41PQ/7.
Gebhardt, Nicholas, and Tony Whyton, eds. The Cultural Politics of Jazz Collectives: This Is Our Music. Transnational Studies in Jazz. New York, NY ; Abingdon, Oxon: Routledge, 2015.
Harris, Joel Geoffrey. “Joe Henderson: A Biographical Study of His Life and Career.” D.A., University of Northern Colorado, 2016. http://search.proquest.com/pqdtglobal/docview/1883865079/abstract/B4EA968A2F0A4157PQ/6.
Helgert, Lars Erik. “Jazz Elements in Selected Concert Works of Leonard Bernstein: Sources, Reception, and Analysis.” Ph.D., The Catholic University of America, 2008. http://search.proquest.com/pqdtglobal/docview/304668856/abstract/B4EA968A2F0A4157PQ/11.
Herzig, Monika. David Baker: A Legacy in Music. Bloomington: Indiana University Press, 2011.
Ho, Fred Wei-han. Wicked Theory, Naked Practice: A Fred Ho Reader. Edited by Diane Carol Fujino. Minneapolis: University of Minnesota Press, 2009. https://archive.org/details/wickedtheorynake0000hofr.
Kaplan, Fred M. 1959: The Year Everything Changed. Hoboken, N.J: J. Wiley & Sons, 2009.
Kelley, Robin D. G. Thelonious Monk: The Life and Times of an American Original. New York: Free Press, 2009.
Kelley, Robin D. G. Africa Speaks, America Answers: Modern Jazz in Revolutionary Times. Harvard University Press, 2012.
Kress, Henryk. “Smooth: Andrew Hill’s Textural Performance Practice.” M.M., The William Paterson University of New Jersey, 2018. http://search.proquest.com/pqdtglobal/docview/2070571359/abstract/B4EA968A2F0A4157PQ/3.
Leibinger, Douglas Jerry. “Jazz Trombonist Jimmy Cleveland: A Bio-Discography and Analysis of His Solo Style.” D.M.A., University of Miami, 2005. http://search.proquest.com/pqdtglobal/docview/305450401/abstract/B4EA968A2F0A4157PQ/14.
Liebman, Dave. What It Is: The Life of a Jazz Artist. Studies in Jazz 66. Lanham, Md: Scarecrow Press, 2012.
Martin, Henry. Essential Jazz: The First 100 Years. 2nd ed. Australia  ;United States: Thomson/Schirmer, 2009.
Mason, Colin Michael. “A Comparative and Historical Survey of Four Seminal Figures in the History of Jazz Education.” D.M.A., The University of Texas at Austin, 2005. http://search.proquest.com/pqdtglobal/docview/305384470/abstract/8DDD3F00589D4E41PQ/1.
Mercer, Michelle. Footprints : The Life and Work of Wayne Shorter. 1st trade pbk ed. New York: J.P. Tarcher/Penguin, 2007. https://archive.org/details/footprintslifewo0000merc.
Monson, Ingrid T. Freedom Sounds: Civil Rights Call Out to Jazz and Africa. New York, NY: Oxford University Press, 2007.
Morgenroth, David Jonathan. “Collaborative Crossover: Identifying Classical Vocal Collaborative Piano Practices in Jazz Vocal Accompanying.” D.M.A., University of North Texas, 2015. http://search.proquest.com/pqdtglobal/docview/1775393456/abstract/8DDD3F00589D4E41PQ/3.
Mueller, Darren. “At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz.” Ph.D., Duke University, 2015. http://search.proquest.com/pqdtglobal/docview/1679284532/abstract/8DDD3F00589D4E41PQ/6.
Price, Emmett George. “Free Jazz and the Black Arts Movement, 1958–1967.” Ph.D., University of Pittsburgh, 2000. http://search.proquest.com/pqdtglobal/docview/304614487/abstract/39BC649C38DE43E1PQ/2.
Prouty, Ken. Knowing Jazz: Community, Pedagogy, and Canon in the Information Age. American Made Music Series. Jackson: University Press of Mississippi, 2012.
Reid, S. Duncan. Cal Tjader: The Life and Recordings of the Man Who Revolutionized Latin Jazz. Jefferson, North Carolina: McFarland & Company, Inc., Publishers, 2013.
Reyman, Christopher Eric. “An Analysis of Selected Improvisations by Andrew Hill and the Development of Progressive Jazz Piano, 1959–2005.” D.M.A., University of Illinois at Urbana-Champaign, 2011. http://search.proquest.com/pqdtglobal/docview/920123907/B4EA968A2F0A4157PQ/1.
Robinson, Perry, and Florence Wetzel. Perry Robinson: The Traveler. San Jose, CA: Writers Club Press, 2002.
Robinson, Charles L., and Al Young. Jazz Idiom: Blueprints, Stills and Frames: The Jazz Photography of Charles L. Robinson. BayTree Books. Berkeley, Calif: Heyday Books, 2008.
Sandke, Randy. Where the Dark and the Light Folks Meet : Race and the Mythology, Politics, and Business of Jazz. Lanham: Scarecrow Press, 2010.
Schoenberg, Loren. The NPR Curious Listener’s Guide to Jazz. 1st ed. New York: Berkley Pub. Group, 2002.
Schroeder, Adam Brent. “The Detroit School: A Definition and Validation of a Style Associated with Jazz Artists Coming out of the Motor City between 1945 and 1960.” M.M., California State University, Long Beach, 2010. http://search.proquest.com/pqdtglobal/docview/866327189/abstract/39BC649C38DE43E1PQ/6.
Scott, Andrew Jacob. “The Life, Music and Improvisational Style of Herbert Lawrence ‘Sonny’ Greenwich.” Ph.D., York University (Canada), 2006. http://search.proquest.com/pqdtglobal/docview/304982911/abstract/8DDD3F00589D4E41PQ/5.
Sharp, Charles Michael. “Improvisation, Identity and Tradition: Experimental Music Communities in Los Angeles.” Ph.D., University of California, Los Angeles, 2008. http://search.proquest.com/pqdtglobal/docview/304652437/abstract/B4EA968A2F0A4157PQ/17.
Snyder, Randy Lee. “College Jazz Education during the 1960s: Its Development and Acceptance.” D.M.A., University of Houston, 1999. http://search.proquest.com/pqdtglobal/docview/304505426/abstract/8DDD3F00589D4E41PQ/4.
Steinbeck, Paul. “Urban Magic: The Art Ensemble of Chicago’s Great Black Music.” Ph.D., Columbia University, 2008. http://search.proquest.com/pqdtglobal/docview/304620495/abstract/B4EA968A2F0A4157PQ/12.
Stephenson, Sam. The Jazz Loft Project : Photographs and Tapes of W. Eugene Smith from 821 Sixth Avenue, 1957-1965. 1st ed. New York  ;Durham  N.C.: Knopf ;;Center for Documentary Studies  Duke University, 2009.
Stillman, Jason Patrick. “Individualism and Audibility in Jazz: The Music of Bunky Green.” D.M.A., University of Toronto (Canada), 2017. http://search.proquest.com/pqdtglobal/docview/1992757956/abstract/B4EA968A2F0A4157PQ/13.
Teachout, Terry. Pops: A Life of Louis Armstrong. New York: Houghton Mifflin, 2009.
Teachout, Terry. Duke: A Life of Duke Ellington. New York: Gotham Books, 2013. https://archive.org/details/dukelifeofdukeel0000unse.
Warner, Matthew Eric. “Paradox, Problem, and Potential in Secondary School Jazz Education.” D.M.A., Boston University, 2014. http://search.proquest.com/pqdtglobal/docview/1545997025/abstract/8DDD3F00589D4E41PQ/2.
Weeks, Todd Bryant. Luck’s In My Corner: The Life and Music of Hot Lips Page. London: Routledge, 2008.
Witek, Matthew W. “The Legacy of Art Blakey’s Mentorship.” M.M., California State University, Long Beach, 2012. http://search.proquest.com/pqdtglobal/docview/1033777073/abstract/B4EA968A2F0A4157PQ/2.