Vocalist and educator. Pamela Carroll Bricker was born July 7, 1954 in Richmond, Virginia; died February 20, 2005 in Takoma Park, Maryland.
Bricker grew up in Summit, New Jersey and studied clarinet through high school. She attended Hampshire College. She moved to northern Virginia in 1981 and became active in Washington, D.C.
She was a member of the vocal group Mad Romance (1983-1989) and worked with Rick Harris.
Bricker was on the music faculty at George Washington University.
Bibliography
7756
PamBricker
items
1
chicago-fullnote-bibliography
0
author
asc
7015
https://jazzmf.com/wp/wp-content/plugins/zotpress/
%7B%22status%22%3A%22success%22%2C%22updateneeded%22%3Afalse%2C%22instance%22%3A%22zotpress-8cedac2f4961a5cbd35b450076a10656%22%2C%22meta%22%3A%7B%22request_last%22%3A0%2C%22request_next%22%3A0%2C%22used_cache%22%3Atrue%7D%2C%22data%22%3A%5B%7B%22key%22%3A%22QW3T92N8%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bernstein%22%2C%22parsedDate%22%3A%222005-02-28%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBernstein%2C%20Adam.%20%26%23x201C%3BVersatile%20Vocalist%20Pam%20Bricker%20Dies%20at%2050.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20February%2028%2C%202005.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22Versatile%20Vocalist%20Pam%20Bricker%20Dies%20at%2050%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Adam%22%2C%22lastName%22%3A%22Bernstein%22%7D%5D%2C%22abstractNote%22%3A%22Pam%20Bricker%2C%2050%2C%20an%20eclectic%20singer%20whose%20repertoire%20ranged%20from%20playful%20jazz%20interpretations%20to%20her%20ethereal%20vocals%20for%20the%20electronica%20group%20Thievery%20Corporation%2C%20was%20pronounced%20dead%20Feb.%2021%20at%20her%20home%20in%20Takoma%20Park.%5Cn%5CnA%20spokeswoman%20for%20the%20Maryland%20medical%20examiner%27s%20office%20said%20that%20Ms.%20Bricker%20hanged%20herself%20and%20that%20the%20death%20was%20ruled%20a%20suicide.%20Ms.%20Bricker%27s%20husband%2C%20Gareth%20Branwyn%2C%20said%20his%20wife%20struggled%20with%20clinical%20depression.%5Cn%5CnMs.%20Bricker%20was%20a%20presence%20in%20the%20Washington%20music%20scene%20since%20the%20early%201980s%2C%20when%20she%20joined%20the%20swing%20vocal%20group%20Mad%20Romance.%20That%20provided%20an%20enduring%20musical%20partnership%20with%20founder%20Rick%20Harris%20and%20led%20to%20several%20well-reviewed%20albums.%5Cn%5CnShe%20played%20at%20clubs%20with%20such%20notable%20musicians%20as%20guitarist%20Charlie%20Byrd%2C%20taught%20at%20George%20Washington%20University%27s%20jazz%20department%20and%2C%20in%20recent%20years%2C%20joined%20Thievery%20Corporation.%20Her%20best-known%20Thievery%20recording%20was%20%5C%22Lebanese%20Blonde%2C%5C%22%20which%20appeared%20on%20the%20Grammy%20Award-winning%20soundtrack%20for%20the%202004%20film%20%5C%22Garden%20State.%5C%22%5Cn%5CnThievery%20Corporation%20brought%20her%20the%20worldwide%20notice%20and%20booking%20schedule%20for%20which%20she%20had%20longed.%20She%20toured%20European%20clubs%20and%20festivals%20and%20was%20pleased%20to%20find%20an%20audience%20that%20did%20not%20view%20her%20as%2C%20she%20often%20put%20it%2C%20%5C%22a%20living%20jukebox%5C%22%20providing%20background%20sounds%20in%20a%20bar.%5Cn%5CnMs.%20Bricker%27s%20early%20musical%20life%20was%20filled%20with%20disappointments%2C%20which%20fueled%20her%20insecurities.%20She%20had%20a%20nervous%20breakdown%20at%20age%2025%20after%20being%20told%20by%20a%20recording%20executive%20that%20she%20was%20%5C%22a%20little%20bit%20old%5C%22%20to%20start%20her%20music%20career.%5Cn%5CnAfter%20a%20period%20of%20withdrawal%20--%20%5C%22I%20hated%20music%20and%20all%20art%5C%22%20--%20she%20slowly%20nursed%20her%20way%20back%20to%20performance%2C%20first%20as%20a%20guitarist%20and%20then%20as%20a%20singer.%20In%20one%20of%20her%20earliest%20engagements%20in%20Washington%2C%20at%20the%20Shoreham%20Hotel%2C%20the%20jazz%20critic%20W.%20Royal%20Stokes%20noted%20her%20%5C%22remarkable%20%5Bvocal%5D%20range%2C%20excellent%20control%20and%20impressive%20rhythmic%20surety.%5C%22%5Cn%5CnFrequently%20nominated%20for%20Washington%20Area%20Music%20Association%20honors%2C%20she%20won%20five%20times%3A%20as%20best%20contemporary%20jazz%20vocalist%20in%201999%2C%202000%20and%202001%3B%20best%20contemporary%20jazz%20album%20in%202001%20for%20her%20release%20%5C%22U-topia%2C%5C%22%20named%20after%20the%20District%20club%20where%20she%20sang%3B%20and%2C%20with%20Harris%2C%20for%20best%20duo%20or%20group%20in%201993.%5Cn%5CnPamela%20Carroll%20Bricker%20was%20born%20in%20Richmond%20and%20raised%20in%20Summit%2C%20N.J.%20Her%20father%20was%20a%20research%20psychologist%20who%20played%20trombone%20on%20the%20side.%20Her%20stepfather%20was%20a%20trombonist%20who%20had%20played%20with%20Woody%20Herman%27s%20band.%5Cn%5CnMs.%20Bricker%20played%20piano%20and%20clarinet%20as%20a%20child%2C%20and%20her%20siblings%20played%20other%20instruments.%20Her%20mother%20suffered%20from%20manic%20depression%20and%20was%20later%20institutionalized%2C%20a%20fact%20that%20haunted%20her.%5Cn%5CnMs.%20Bricker%20described%20herself%20as%20a%20%5C%22loner%5C%22%20as%20a%20young%20child%2C%20but%20music%20brought%20her%20pleasure.%20She%20attended%20ballets%20in%20New%20York%2C%20saw%20Broadway%20musicals%2C%20went%20to%20Jimi%20Hendrix%20concerts%20and%20was%20infatuated%20with%20the%20Beatles.%5Cn%5CnShe%20attended%20Hampshire%20College%20in%20Massachusetts%20and%20fell%20in%20love%20with%20a%20music%20teacher%2C%20who%20introduced%20her%20to%20classical%20composers%2C%20Duke%20Ellington%20and%20the%20Randy%20Newman%20composition%20%5C%22You%20Can%20Leave%20Your%20Hat%20On.%5C%22%5Cn%5Cn%5C%22The%20sort%20of%20perverse%20sexuality%20of%20that%20tune%2C%20for%20me%20as%20an%2018-%20year-old%2C%20that%20was%20the%20cat%27s%20meow%2C%5C%22%20she%20told%20Stokes%2C%20who%20profiled%20Ms.%20Bricker%20in%20his%20new%20book%20%5C%22Growing%20Up%20With%20Jazz.%5C%22%5Cn%5CnShe%20read%20B.F.%20Skinner%27s%20%5C%22Walden%20Two%5C%22%20when%20she%20was%2012%20and%20later%20left%20college%20for%20a%20semester%20to%20research%20a%20paper%20on%20utopias.%20She%20traveled%20to%20the%20Twin%20Oaks%20commune%20in%20Louisa%2C%20Va.%2C%20which%20was%20known%20for%20producing%20rope%20hammocks.%5Cn%5Cn%5C%22I%20lived%20there%20for%2021%5C%2F2%20years%20until%20I%20was%20just%20sort%20of%20overwhelmed%20by%20the%20desire%20to%20become%20a%20musician%2C%5C%22%20she%20told%20a%20reporter.%20She%20alternated%20between%20Massachusetts%20and%20Virginia%2C%20auditing%20classes%2C%20singing%20in%20coffeehouses%20and%20working%20her%20way%20into%20the%20Copley%20Plaza%20Hotel%20lounge%20in%20Boston.%20She%20returned%20to%20Twin%20Oaks%20after%20her%20nervous%20breakdown.%5Cn%5CnIn%201981%2C%20she%20settled%20in%20the%20Washington%20area%20with%20Branwyn%2C%20a%20freelance%20technical%20writer%20whom%20she%20met%20at%20the%20commune.%20With%20her%20guitar%2C%20she%20was%20soon%20playing%20folk-heavy%20music%20at%20a%20health%20food%20restaurant%20called%20Food%20for%20Thought%2C%20where%20she%20met%20Mary%20Chapin%20Carpenter.%5Cn%5Cn%5C%22We%20got%20together%20a%20few%20times%20to%20sort%20of%20jam%20and%20pick%20and%20grin%2C%20and%20then%20she%20became%20the%20world%27s%20most%20famous%20folk%20and%20country%20crossover%20artist%2C%5C%22%20she%20told%20Stokes.%5Cn%5CnIncreasingly%20interested%20in%20jazz%2C%20she%20began%20expanding%20her%20songbook.%20After%20Harris%20spotted%20her%20at%20Charlie%27s%20Georgetown%2C%20they%20formed%20Mad%20Romance%2C%20which%20played%20at%20Blues%20Alley%2C%20the%20Monterey%20Jazz%20Festival%20and%20the%20Blue%20Note%20in%20New%20York.%20After%20the%20group%20disbanded%20in%201987%2C%20she%20and%20Harris%20continued%20to%20sing%20duets%20at%20area%20clubs%20and%20made%20several%20inventive%2C%20sprightly%20albums.%5Cn%5CnA%20musical%20restlessness%20persisted%2C%20though%2C%20and%20she%20later%20moved%20in%20other%20directions.%5Cn%5Cn%5C%22As%20the%20%2790s%20wore%20on%2C%5C%22%20she%20told%20Stokes%2C%20%5C%22I%20felt%20an%20urge%20to%20break%20out%20of%20such%20a%20straight-laced%20jazz%20frame%20of%20mind%20and%20repertoire.%20I%20said%3A%20%27Jazz%2C%20like%20crime%2C%20doesn%27t%20pay.%20You%20have%20to%20mix%20it%20up%20and%20modernize%20it.%27%20%5C%22%5Cn%5CnSurvivors%20include%20her%20husband%2C%20from%20whom%20she%20was%20separated%2C%20of%20Arlington%3B%20a%20son%2C%20Blake%20Maloof%20of%20Arlington%3B%20her%20father%2C%20Peter%20Bricker%20of%20Pine%20Knoll%20Shores%2C%20N.C.%3B%20a%20brother%3B%20and%20a%20sister.%22%2C%22date%22%3A%222005-02-28%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22English%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-29T00%3A23%3A36Z%22%7D%7D%2C%7B%22key%22%3A%22SFDK7MBJ%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Brace%22%2C%22parsedDate%22%3A%221998-05-29%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBrace%2C%20Eric.%20%26%23x201C%3BPam%20Bricker%3A%20Tops%20on%20My%20List.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20May%2029%2C%201998.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22Pam%20Bricker%3A%20Tops%20on%20My%20List%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Eric%22%2C%22lastName%22%3A%22Brace%22%7D%5D%2C%22abstractNote%22%3A%22THERE%20ARE%20SOME%20local%20artists%20who%20perform%20with%20such%20frequency%20around%20town%20that%20they%20become%20part%20of%20the%20landscape.%20It%27s%20easy%20to%20take%20their%20shows%20for%20granted.%20I%20look%20at%20the%20club%20listings%20and%20see%20certain%20names%20over%20and%20over%20again%20and%20I%20say%20to%20myself%2C%20%5C%22I%20should%20check%20them%20out.%5C%22%20The%20months%20roll%20past%2C%20and%20still%20I%20don%27t%20go%20see%20them...%22%2C%22date%22%3A%221998-05-29%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22English%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-28T04%3A35%3A22Z%22%7D%7D%2C%7B%22key%22%3A%22T8WZ3WTW%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bricker%22%2C%22parsedDate%22%3A%222003-10-07%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBricker%2C%20Pam.%20Interview.%20Interview%20by%20W.%20Royal%20Stokes%2C%20October%207%2C%202003.%20W.%20Royal%20Stokes%20Collection.%20Archives%20Center%2C%20National%20Museum%20of%20American%20History%2C%20Smithsonian%20Institution.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22interview%22%2C%22title%22%3A%22Interview%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22interviewee%22%2C%22firstName%22%3A%22Pam%22%2C%22lastName%22%3A%22Bricker%22%7D%2C%7B%22creatorType%22%3A%22interviewer%22%2C%22firstName%22%3A%22W.%20Royal%22%2C%22lastName%22%3A%22Stokes%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222003-10-07%22%2C%22interviewMedium%22%3A%22%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-28T04%3A36%3A13Z%22%7D%7D%2C%7B%22key%22%3A%22FK4FXZT9%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bricker%22%2C%22parsedDate%22%3A%222003-03-15%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBricker%2C%20Pam.%20Interview.%20Interview%20by%20W.%20Royal%20Stokes%2C%20March%2015%2C%202003.%20W.%20Royal%20Stokes%20Collection.%20Archives%20Center%2C%20National%20Museum%20of%20American%20History%2C%20Smithsonian%20Institution.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22interview%22%2C%22title%22%3A%22Interview%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22interviewee%22%2C%22firstName%22%3A%22Pam%22%2C%22lastName%22%3A%22Bricker%22%7D%2C%7B%22creatorType%22%3A%22interviewer%22%2C%22firstName%22%3A%22W.%20Royal%22%2C%22lastName%22%3A%22Stokes%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222003-03-15%22%2C%22interviewMedium%22%3A%22%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-28T04%3A36%3A19Z%22%7D%7D%2C%7B%22key%22%3A%22UVFCT6Q7%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Bricker%22%2C%22parsedDate%22%3A%221985-04-16%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBricker%2C%20Pam.%20Interview.%20Interview%20by%20W.%20Royal%20Stokes%2C%20April%2016%2C%201985.%20W.%20Royal%20Stokes%20Collection.%20Archives%20Center%2C%20National%20Museum%20of%20American%20History%2C%20Smithsonian%20Institution.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22interview%22%2C%22title%22%3A%22Interview%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22interviewee%22%2C%22firstName%22%3A%22Pam%22%2C%22lastName%22%3A%22Bricker%22%7D%2C%7B%22creatorType%22%3A%22interviewer%22%2C%22firstName%22%3A%22W.%20Royal%22%2C%22lastName%22%3A%22Stokes%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221985-04-16%22%2C%22interviewMedium%22%3A%22%22%2C%22language%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-28T04%3A36%3A22Z%22%7D%7D%2C%7B%22key%22%3A%22X9MIAZ43%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Brown%22%2C%22parsedDate%22%3A%221989-11-03%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EBrown%2C%20Joe.%20%26%23x201C%3BVocal%20Duo%20Takes%20Jazzman%26%23x2019%3Bs%20Holiday.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20November%203%2C%201989.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22Vocal%20Duo%20Takes%20Jazzman%27s%20Holiday%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Joe%22%2C%22lastName%22%3A%22Brown%22%7D%5D%2C%22abstractNote%22%3A%22PAM%20BRICKER%20and%20Rick%20Harris.%20co-founders%20of%20the%20stylish%20D.C.%20jazz%20vocal%20quartet%20Mad%20Romance%2C%20enjoy%20a%20brief%20holiday%20from%20the%20group%20with%20%5C%22All%20The%20Things%20You%20Are%2C%5C%22%20a%20warm%2C%20live-sounding%20recording%20that%22%2C%22date%22%3A%221989-11-03%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22English%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-29T02%3A49%3A06Z%22%7D%7D%2C%7B%22key%22%3A%22ADCDEDQ2%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Joyce%22%2C%22parsedDate%22%3A%222000-09-08%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EJoyce%2C%20Mike.%20%26%23x201C%3BPam%20Bricker%20%26%23x2018%3BU-Topia%26%23x2019%3B%20Backstreet.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20September%208%2C%202000.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22Pam%20Bricker%20%5C%22U-topia%5C%22%20Backstreet%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Mike%22%2C%22lastName%22%3A%22Joyce%22%7D%5D%2C%22abstractNote%22%3A%22Anyone%20familiar%20with%20Bricker%27s%20impressive%20track%20record%2C%20as%20both%20solo%20artist%20and%20a%20member%20of%20the%20enterprising%20vocal%20ensemble%20Mad%20Romance%2C%20won%27t%20be%20surprised%20by%20the%20cool%20assurance%20that%20often%20distinguishes%20her%20performances%20here.%22%2C%22date%22%3A%222000-09-08%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-29T00%3A38%3A18Z%22%7D%7D%2C%7B%22key%22%3A%22RIFKWQDX%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Joyce%22%2C%22parsedDate%22%3A%222001-05-26%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EJoyce%2C%20Mike.%20%26%23x201C%3BPam%20Bricker%20and%20Louis%20Scherr.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20May%2026%2C%202001.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22Pam%20Bricker%20and%20Louis%20Scherr%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Mike%22%2C%22lastName%22%3A%22Joyce%22%7D%5D%2C%22abstractNote%22%3A%22Review%20of%20Pam%20Bricker%20at%20Four%20Seasons%20Garden%20Terrace%20Lounge.%22%2C%22date%22%3A%222001-05-26%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22English%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-29T00%3A39%3A52Z%22%7D%7D%2C%7B%22key%22%3A%223WFZJJKM%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Joyce%22%2C%22parsedDate%22%3A%222005-03-18%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EJoyce%2C%20Mike.%20%26%23x201C%3BA%20Toast%20to%20Pam%20Bricker%20From%20Inspired%20Admirers.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20March%2018%2C%202005.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22A%20Toast%20to%20Pam%20Bricker%20From%20Inspired%20Admirers%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Mike%22%2C%22lastName%22%3A%22Joyce%22%7D%5D%2C%22abstractNote%22%3A%22In%20a%20sense%20%5BPam%20Bricker%5D%20called%20all%20the%20tunes%2C%20since%20in%20one%20way%20or%20another%20they%20reflected%20her%20range%20and%20tastes.%20Pop%2C%20bop%2C%20blues%20and%20Brazilian%20favorites%20were%20plentiful%2C%20performed%20by%20a%20constantly%20rotating%20cast%20of%20musicians%20that%20included%20pianists%20Bill%20Harris%2C%20Wayne%20Wilentz%2C%20Bob%20Diener%20and%20Harold%20Kaufman%2C%20trumpeter%20Tommy%20Williams%2C%20saxophonist%20Peter%20Fraize%2C%20guitarist%20Dave%20Cosby%2C%20bassists%20Dave%20Jernigan%2C%20Tommy%20Cecil%20and%20James%20King%2C%20and%20drummer%20Tony%20Martucci%2C%20among%20many%20others.%20Silencing%20the%20packed%20house%20was%20a%20pair%20of%20moving%20performances%20by%20singers%20Delores%20King%20Williams%20%28%5C%22I%27ll%20Be%20Seeing%20You%5C%22%29%20and%20Simone%20Marchand%20%28%5C%22La%20Vie%20en%20Rose%5C%22%29.%22%2C%22date%22%3A%222005-03-18%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22English%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-29T02%3A48%3A54Z%22%7D%7D%2C%7B%22key%22%3A%22DT9JMX6A%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Joyce%22%2C%22parsedDate%22%3A%221992-10-16%22%2C%22numChildren%22%3A1%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EJoyce%2C%20Mike.%20%26%23x201C%3BMad%20About%20Duo%3A%20Bricker%20%26amp%3B%20Harris.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20October%2016%2C%201992.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22Mad%20About%20Duo%3A%20Bricker%20%26%20Harris%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22Mike%22%2C%22lastName%22%3A%22Joyce%22%7D%5D%2C%22abstractNote%22%3A%22CABARET%20AND%20jazz%20coolly%20co-mingle%20on%20%5C%22Echoes%20of%20Mad%20Romance%2C%5C%22%20the%20latest%20album%20by%20vocalist%20Pam%20Bricker%20and%20vocalist%20and%20multi-instrumentalist%20Rick%20Harris.%20Well-known%20as%20nimble%20collaborators%20in%20the%20once-ubiquitous%20Washington-based%20vocal%20guartet...%22%2C%22date%22%3A%221992-10-16%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-29T02%3A49%3A09Z%22%7D%7D%2C%7B%22key%22%3A%22ZXT8HEYQ%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Stokes%22%2C%22parsedDate%22%3A%221983-12-09%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EStokes%2C%20W.%20Royal.%20%26%23x201C%3BMad%20Romance%3A%20Swinging%20Sounds.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20December%209%2C%201983.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22Mad%20Romance%3A%20Swinging%20Sounds%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22W.%20Royal%22%2C%22lastName%22%3A%22Stokes%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221983-12-09%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22English%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-29T02%3A53%3A38Z%22%7D%7D%2C%7B%22key%22%3A%22MN558NDM%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Stokes%22%2C%22parsedDate%22%3A%222005%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EStokes%2C%20W.%20Royal.%20%3Ci%3EGrowing%20up%20with%20Jazz%3A%20Twenty-Four%20Musicians%20Talk%20About%20Their%20Lives%20and%20Careers%3C%5C%2Fi%3E.%20New%20York%3A%20Oxford%20University%20Press%2C%202005.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22book%22%2C%22title%22%3A%22Growing%20up%20with%20Jazz%3A%20Twenty-four%20Musicians%20Talk%20About%20Their%20Lives%20and%20Careers%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22W.%20Royal%22%2C%22lastName%22%3A%22Stokes%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%222005%22%2C%22language%22%3A%22%22%2C%22ISBN%22%3A%220-19-515927-6%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222020-04-28T04%3A35%3A43Z%22%7D%7D%2C%7B%22key%22%3A%223EK6WNUT%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Stokes%22%2C%22parsedDate%22%3A%221985-04-21%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EStokes%2C%20W.%20Royal.%20%26%23x201C%3BOne%20Voice%2C%20One%20Guitar.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20April%2021%2C%201985.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22One%20Voice%2C%20One%20Guitar%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22W.%20Royal%22%2C%22lastName%22%3A%22Stokes%22%7D%5D%2C%22abstractNote%22%3A%22%5C%22It%27s%20kind%20of%20a%20luxury%20to%20have%20that%20time%20and%20that%20space%20to%20work%20with%2C%5C%22%20says%20Pam%20Bricker%20of%20the%20voice-guitar%20format%20that%20she%20and%20Charlie%20Byrd%20will%20bring%20to%20Annapolis%27%20Maryland%20Inn%2C%20Friday%20through%20Sunday.%20Bricker%20has%20also%20sung%20with%20guitarists%20Emily%20Remler%20and%20Paul%20Bollenbach%20and%20in%20the%20%2770s%20played%20guitar%20herself.%22%2C%22date%22%3A%221985-04-21%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222021-10-23T11%3A15%3A34Z%22%7D%7D%2C%7B%22key%22%3A%227UHXPQQJ%22%2C%22library%22%3A%7B%22id%22%3A7756%7D%2C%22meta%22%3A%7B%22creatorSummary%22%3A%22Stokes%22%2C%22parsedDate%22%3A%221986-06-29%22%2C%22numChildren%22%3A0%7D%2C%22bib%22%3A%22%3Cdiv%20class%3D%5C%22csl-bib-body%5C%22%20style%3D%5C%22line-height%3A%201.35%3B%20padding-left%3A%201em%3B%20text-indent%3A-1em%3B%5C%22%3E%5Cn%20%20%3Cdiv%20class%3D%5C%22csl-entry%5C%22%3EStokes%2C%20W.%20Royal.%20%26%23x201C%3BLimelight%3A%20Four%20Voices%2C%20One%20Mad%20Romance.%26%23x201D%3B%20%3Ci%3EWashington%20Post%3C%5C%2Fi%3E%2C%20June%2029%2C%201986.%3C%5C%2Fdiv%3E%5Cn%3C%5C%2Fdiv%3E%22%2C%22data%22%3A%7B%22itemType%22%3A%22newspaperArticle%22%2C%22title%22%3A%22Limelight%3A%20Four%20Voices%2C%20One%20Mad%20Romance%22%2C%22creators%22%3A%5B%7B%22creatorType%22%3A%22author%22%2C%22firstName%22%3A%22W.%20Royal%22%2C%22lastName%22%3A%22Stokes%22%7D%5D%2C%22abstractNote%22%3A%22%22%2C%22date%22%3A%221986-06-29%22%2C%22section%22%3A%22%22%2C%22language%22%3A%22English%22%2C%22ISSN%22%3A%22%22%2C%22url%22%3A%22%22%2C%22collections%22%3A%5B%5D%2C%22dateModified%22%3A%222021-10-26T01%3A16%3A49Z%22%7D%7D%5D%7D
Bernstein, Adam. “Versatile Vocalist Pam Bricker Dies at 50.” Washington Post, February 28, 2005.
Brace, Eric. “Pam Bricker: Tops on My List.” Washington Post, May 29, 1998.
Bricker, Pam. Interview. Interview by W. Royal Stokes, October 7, 2003. W. Royal Stokes Collection. Archives Center, National Museum of American History, Smithsonian Institution.
Bricker, Pam. Interview. Interview by W. Royal Stokes, March 15, 2003. W. Royal Stokes Collection. Archives Center, National Museum of American History, Smithsonian Institution.
Bricker, Pam. Interview. Interview by W. Royal Stokes, April 16, 1985. W. Royal Stokes Collection. Archives Center, National Museum of American History, Smithsonian Institution.
Brown, Joe. “Vocal Duo Takes Jazzman’s Holiday.” Washington Post, November 3, 1989.
Joyce, Mike. “Pam Bricker ‘U-Topia’ Backstreet.” Washington Post, September 8, 2000.
Joyce, Mike. “Pam Bricker and Louis Scherr.” Washington Post, May 26, 2001.
Joyce, Mike. “A Toast to Pam Bricker From Inspired Admirers.” Washington Post, March 18, 2005.
Joyce, Mike. “Mad About Duo: Bricker & Harris.” Washington Post, October 16, 1992.
Stokes, W. Royal. “Mad Romance: Swinging Sounds.” Washington Post, December 9, 1983.
Stokes, W. Royal. Growing up with Jazz: Twenty-Four Musicians Talk About Their Lives and Careers. New York: Oxford University Press, 2005.
Stokes, W. Royal. “One Voice, One Guitar.” Washington Post, April 21, 1985.
Stokes, W. Royal. “Limelight: Four Voices, One Mad Romance.” Washington Post, June 29, 1986.
Leave a Reply